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Sustainability Series: THE PRICE OF SAND

Watch Trailer Director: Jim Tittle

“The Price of Sand” is a documentary about the frac sand mining boom in Minnesota and Wisconsin. Due to a rapid increase in demand, pure silica sand has become a valuable commodity, and mines are opening here at a rapid rate.

The silica used in hydraulic fracturing (aka : “fracking”), has other uses– glass manufacturing and toothpaste, for instance — and a few established mines have been in operation here for decades. But now, new companies have arrived, and land with accessible silica deposits is selling for high prices.

In addition to a bonanza for a few lucky landowners, the new mines promise jobs and economic stimulus for the small towns and rural areas nearby.

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Running Time: 60 Minutes60 MIN
This Film is Wheelchair Accessible

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Series Sea Hear: Sunday Night Film Series

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Series See Here is Sunday night screening of films that engage the eyes and ears. The films in the series are mostly documentaries that link audiences to the sensuality and politics in the sprit of cinema’s ability to explore the world. Three of the films bring the sea here to Athens (THE FORGOTTEN SPACE, AT SEA, and SHIP OF THESUS). Two filmmakers, Jennifer Reeder and Sarah Kanouse will visit us here, show us their work and discuss it with us. In addition there will be 2 films on Chile one the Sunday before spring break. Louis-Georges Schwartz of the Ohio University Film Division will briefly introduce each film and facilitate a discussion following.

All Screenings take place at 7:00 p.m. and offer free admission, thanks to Arts for Ohio.

January 26th: The Forgotten Space

The Forgotten Space follows container cargo aboard ships, barges, trains and trucks, listening to workers, engineers, planners, politicians, and those marginalized by the global transport system. We visit displaced farmers and villagers in Holland and Belgium, underpaid truck drivers in Los Angeles, seafarers aboard mega-ships shuttling between Asia and Europe, and factory workers in China, whose low wages are the fragile key to the whole puzzle. And in Bilbao, we discover the most sophisticated expression of the belief that the maritime economy, and the sea itself, is somehow obsolete.
A range of materials is used: descriptive documentary, interviews, archive stills and footage, clips from old movies. The result is an essayistic, visual documentary about one of the most important processes that affects us today. The Forgotten Space is based on Sekula’s Fish Story, seeking to understand and describe the contemporary maritime world in relation to the complex symbolic legacy of the sea.

February 9th: Flaherty Program 2
POLITICAL MEMORY (82 min.)

FARTHER_3Farther than the Eye Can See
Basma Alsharif (2012, 13 min.)

An oral history from another time and place. Centered on the account of a Palestinian woman’s exodus from Jerusalem in 1948, Alsharif uses language not as a direct address, but rather as aural and visual material through which to explore personal and political memory and a landscape that no longer exists. TRAIILER

 

Foighel Brutmann & Efrat Printed Matter_still1Printed Matter
Sirah Foighel Brutmann & Eitan Efrat (Belgium, 2011, 29 min.)

Printed Matter unpacks an archive of photographs left behind by André Brutmann, who was a freelance photographer for the international press in the Middle East. His collection includes both a familiar visual history of the Israeli-Palestinian conflict (funerals, speeches, armed violence in the streets during both the First and Second Intifadas) and, after the birth of his daughter, Sirah Foighel Brutmann, in 1983, a record of his family life. The archive is presented on a light table by the artist’s mother, Hanne Foighel. As she leafs through the repeating grids of captured moments, both intimate and banal, Foighel reflects on the images, sometimes struggling to recall the exact scenarios, delivering a narrative commentary that layers personal and political histories.

 

Van Oldenborgh Bete Deise 1 low resBete & Deise
Wendelien van Oldenborgh (The Netherlands, 2012, 40 min.)

A filmed encounter between two women in an unfinished building in Rio de Janeiro. Exchanging stories about their life and work, Bete Mendes and Deise Tigrona engage in a biographical dialogue about the personal voice in the public sphere. As in much of her previous work, van Oldeborgh casts specific individuals, in lieu of actors, to speak as themselves in her films. Bete Mendes (b. 1949) has been an actress in Brazilian telenovelas since the late 1960s. Alongside this history as a very public figure on television, Mendes maintained a position in political activism and resistance: from being a part of the resistance against the military dictatorship to her involvement in the labor movement, during which time she co-founded the working party Partido dos Trabalhadores. Deise Tigrona (b. 1979) is one of the most powerful voices in the Funk Carioca movement today. Growing up and performing as a singer in the impoverished community of Cidade de Deus, she rose to great international popularity with her music in 2005. The public life that came with fame made it difficult to concentrate on family life, which led to the decision to take a step back from her music career and return to a job closer to home. She has recently started performing again. Though separated by more than a generation, these paired autobiographical monologues come together in conversation, highlighting both the similarities and the differences they encountered in their lives. Wendelien van Oldenborgh weaves together these stories to speak to politics within cultural production and the manifestation of these ideas in the public and the personal lives of these women.

February 16th: Visiting Artist Sarah Kanouse

Cover Photo

Crab Orchard calls itself “a unique place to experience nature.” As the only wildlife refuge in the United States whose mission includes industry and agriculture alongside conservation and recreation, Crab Orchard claims a harmonious balance between uses and users that strike many as incompatible. This story of harmony is maintained through the production and enforcement of physical, visual, and political boundaries — boundaries that, once crossed, quickly dissolve. This essayistic documentary maps the filmmaker’s discovery of Crab Orchard’s complex and hybrid nature. When a request by a security guard to put away the camera leads to a surprise visit by the FBI, the filmmaker begins a journey to uncover the refuge’s history and understand its contradictory present. Crab Orchard’s status as a contaminated refuge emerges less as an exception and more an example of the power and perils of “nature” as we understand it today. From its use by historic Native Americans as a source of food, its continued role in an economically vulnerable region, and the use of its polluted lake as a water source, the film explores themes of invisibility, loss, and shared but profoundly unequal risk. Assembled from documents, found footage, and conversations with activists, writers, and local residents, the film meditates on the persistence of history, the creation of knowledge, the limits of representation, and the commonplace of environmental hazard. “Around Crab Orchard” ultimately argues for forms of storytelling, image-making, and activism that cross existing conceptual boundaries to respond to the full complexity of the social and ecological landscape.

Sarah Kanouse’s Artist Statement:
As a research-based artist, I use a range of media – particularly video, audio, photography, text, and public events – to give form to long-term explorations of the politics of space. I have paid particularly close attention to landscapes of public memory and, increasingly, sites where ecological, cultural, and military forces are intertwined.

As art historian W.J.T. Mitchell influentially observed, “landscape” should be understood less as a noun than a verb—not merely a visual genre but a cultural practice through which the historical, material, and social processes that have shaped space are naturalized and rendered opaque. The visual dimension of landscape has been widely theorized as concealing more than revealing, presenting a methodological challenge for the visual artist. By themselves, images may monumentalize their subjects, and artists have long used strategies like distortion, sequencing, captioning, collage, and montage to disrupt the power of the single image. While concerns with landscape have animated my most significant work over the past seven years, I have consistently sought to shift, undermine, or supplement the visual dimension of space through textual and experiential means. Rather than offer fixed, masterful works that might present alternative content but address the audience or spectator in familiar ways, I seek to share my research process as one possible model for critical engagement with space. My goal is to offer accounts of landscape that allow them to be read as complex but contingent material and cultural assemblages.

February 23rd: At Sea

At Sea (2004–07) by Peter Hutton, 60 min, United States

“”The momentum of more than forty thousand tons is as absolute as the darkness” (John McPhee, Looking for a Ship). Hutton’s most recent film—a riveting and revelatory chronicle of the birth, life, and death of a colossal container ship—is unquestionably one of his most ambitious and profound. A haunting meditation on human progress, both physical and metaphorical, At Sea charts a three-year passage from twenty-first-century ship building in South Korea to primitive and dangerous ship breaking in Bangladesh, with an epic journey across the North Atlantic in between.” – MoMA

March 16th: Viva Chile Mierda

Chile, 1974. Under the cloak of darkness Pinochet’s military intelligence service raid the home of the filmmaker’s aunt Gaby. She, together with her husband and brother, were blindfolded and taken to a secret military prison to be interrogated. For three weeks they were tortured and terrorized. No one knew where they were. Their children were kept under armed guard. Were it not for the help given to them by one young prison guard, they would not have coped. That guard was Andres ‘Papudo’ Valenzuela, who several years later would be the first military intelligence officer to admit to the crimes committed by the dictatorship. Through intimate interviews, illustrations, animations and first person voice over, this film traces the lives of both prisoners and guard in order to reflect on the enduring effects of this traumatic history. Their stories shine light on larger issues of exile, national identity, truth and reconciliation.

March 23rd: Nostalgia for the Light

Master director Patricio Guzmán travels 10,000 feet above sea level to the driest desert on earth for this remarkable documentary. Here, the sky is so translucent that it allows astronomers to see the boundaries of our universe. Yet the Atacama Desert climate also keeps human remains intact: pre Columbian mummies; explorers and miners; and the remains of disappeared political prisoners. Women sift the desert soil for the bones of their loved ones, while archaeologists uncover traces of ancient civilizations and astronomers examine the most distant and oldest galaxies. Melding celestial and earthly quests, NOSTALGIA FOR THE LIGHT is a gorgeous, moving and deeply personal odyssey.

March 30th: Ship of Theseus

If the parts of a ship are replaced,bit-by-bit, is it still the same ship? An unusual photographer grapples with the loss of her intuitive brilliance as an aftermath of a clinical procedure; an erudite monk confronting an ethical dilemma with a long held ideology, has to choose between principle and death; and a young stockbroker, following the trail of a stolen kidney, learns how intricate morality could be. Following the separate strands of their philosophical journeys, and their eventual convergence, this film explores questions of identity, justice, beauty, meaning and death.

April 6th: Visiting Artist Jennifer Reeder

More info TBA.

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Sustainability Series: BITTER SEEDS

Watch Trailer Director: Micha X. Peled

As industrial agriculture spreads around the world, many small-scale farmers are losing their land. Nowhere is the situation more desperate than in India, where every 30 minutes one farmer, deep in debt and unable to provide for its family, commits suicide. Explores the impact of genetically modified seeds, globalization,  and the loss of heritage seed varieties to Indian farmers.

Bitter Seeds is the final film in Micha X. Peled’s Globalization Trilogy, following Store Wars: When Wal-Mart Comes to Town and China Blue. The films won 18 international awards, aired on over 30 television channels and screened in more than 100 film festivals. They also connected viewers to NGO action campaigns and encouraged Western consumers to understand their impact on the rest of the world.

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Running Time: 88 Minutes88 MIN
This Film is Wheelchair Accessible

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Stanley Kubrick Retrospective: 8 Weeks of Kubrick

For Spring Semester, the Athena Cinema is ushering in a retrospective of eight classic Stanley Kubrick Films. Don’t miss your chance to see these masterpieces on the big screen.

Jan 27 & 28 : Paths of Glory
Feb 3 & 4: Spartacus
Feb 10 & 11: Clockwork Orange
Feb 17 & 18: Barry Lyndon
Feb 24 & 25: 2001: A Space Odyssey
March 10 & 11: The Shining
March 17 & 18: Full Metal Jacket
March 24 & 25: Eyes Wide Shut

“This man, in spite of the widespread reputation he had for mastering his means of expression, was misunderstood and misinterpreted every time he made a film. I’ve often asked myself why. In fact, only once did he have unanimously positive reviews, and they were for …Paths of Glory. I’ve never understood how people who are so attached to film never realized that he was number one.”
Jack Nicholson

 

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Kubrick Retrospective: Full Metal Jacket – Playing March 17 & 18

Watch Trailer Director: Stanley Kubrick
Writer(s): Gustav Hasford (novel), Stanley Kubrick (screenplay) & Michael Herr (screenplay)
Cast: Matthew Modine, R. Lee Ermey & Vincent D'Onofrio

The story of an 18-year-old marine recruit named Private Joker – from his carnage-and-machismo boot camp to his climactic involvement in the heavy fighting in Hue during the 1968 Tet Offensive.

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Running Time: 116 mins116 MIN
R Rated

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Kubrick Retrospective: Eyes Wide Shut – Playing March 24 & 25

Watch Trailer Director: Stanley Kubrick
Writer(s): Stanley Kubrick (screenplay), Frederic Raphael (screenplay), and Arthur Schnitzler (novella "Traumnovelle") (inspiration)
Cast: Tom Cruise, Nicole Kidman, Todd Field

The final work of legendary director Stanley Kubrick, who died within a week of completing the edit, stars Tom Cruise and Nicole Kidman, at the time Hollywood’s most bankable celebrity couple. Cruise and Kidman play William and Alice Harford, a physician and a gallery manager who are wealthy, successful, and travel in a sophisticated social circle; however, a certain amount of decadence crosses their paths on occasion, and a visit to a formal-dress party leads them into sexual temptation when William is drafted into helping a beautiful girl who has overdosed on drugs while Alice is charmed by a man bent on seduction. While neither William and Alice act on their adulterous impulses, once the issue has been brought into the open, it begins a dangerous season of erotic gamesmanship for the couple, with William in particular openly confronting his desire for new sexual experiences.

“Kubrick, exactly in character, has left us as the unchallengeable champion of the enigma.” -Jeff Millar, Houston Chronicle

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Running Time: 159 minutes159 MIN

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The Great Beauty

Watch Trailer Director: Paolo Sorrentino
Writer(s): Paolo Sorrentino, Umberto Contarello
Cast: Toni Servillo, Carlo Verdone, Sabrina Ferilli
Awards: Won 2014 Golden Globe for Best Foreign Language Film
Language: Italian with English subtitles

Journalist Jep Gambardella (the dazzling Toni Servillo, Il divo and Gomorrah) has charmed and seduced his way through the lavish nightlife of Rome for decades. Since the legendary success of his one and only novel, he has been a permanent fixture in the city’s literary and social circles, but when his sixty-fifth birthday coincides with a shock from the past, Jep finds himself unexpectedly taking stock of his life, turning his cutting wit on himself and his contemporaries, and looking past the extravagant nightclubs, parties, and cafés to find Rome in all its glory: a timeless landscape of absurd, exquisite beauty.

“Go ahead. Soak up the Beauty. It’s one of the best films of the year.” -Chris Vognar, Dallas Morning News

“Sorrentino’s juxtaposition of contemporary Roman indulgence and the Eternal City’s place in history’s imagination makes for a bittersweet epic in which a solitary character, Jep, stands in for the director, and us, and experiences an epiphany.” -John Anderson, Newsday

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Running Time: 142 minutes142 MIN

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Nebraska

Watch Trailer Director: Alexander Payne
Writer(s): Bob Nelson
Cast: Bruce Dern, Will Forte, June Squibb, Bob Odenkirk, Stacy Keach

Director Alexander Payne (Sideways, The Descendants) takes the helm for this black and white road trip drama starring Bruce Dern as a tempestuous Missouri father who’s convinced he’s won a million dollar magazine sweepstakes, and Will Forte as the son who grudgingly agrees to drive him to Nebraska to claim his winnings.

“Just trust this: see it. You’ll be treated to some laugh-out-loud humor, a lot of heart and some outstanding performances.” -Bill Goodykoontz, Arizona Republic

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Running Time: 115 minutes115 MIN
R Rated

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Mandela: Long Walk to Freedom Playing Through January 9th

Watch Trailer Director: Justin Chadwick
Writer(s): William Nicholson, Nelson Mandela
Cast: Idris Elba
Awards: Nominated for 2 Golden Globes including Best Actor and Best Original Score

MANDELA: LONG WALK TO FREEDOM is based on South African President Nelson Mandela’s autobiography of the same name, which chronicles his early life, coming of age, education and 27 years in prison before becoming President and working to rebuild the country’s once segregated society. Idris Elba (PROMETHEUS) stars as Nelson Mandela with Justin Chadwick (THE OTHER BOLEYN GIRL) directing.

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Running Time: 139 Minutes139 MIN
PG-13 Rated

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