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Tim Jenison, a Texas based inventor, (Video Toaster, LightWave, TriCaster) attempts to solve one of the greatest mysteries in all art: How did 17th century Dutch master Johannes Vermeer (“Girl with a Pearl Earring”) manage to paint so photo-realistically – 150 years before the invention of photography? The epic research project Jenison embarks on to test his theory is as extraordinary as what he discovers. Spanning a decade, Jenison’s adventure takes him to Delft, Holland, where Vermeer painted his masterpieces on a pilgrimage to the North coast of Yorkshire to meet artist David Hockney and eventually to Buckingham Palace, to see the Queen’s Vermeer.

“Unexpectedly dazzling.” – Tom Long, Detroit News

“A fascinating new documentary about art, obsessions, ideas and answers.” – Betsy Sharkey, Los Angeles Times

Playing March 28th – April 10th

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80 MIN

Based on the true story of the greatest treasure hunt in history, The Monuments Men is an action drama focusing on an unlikely World War II platoon, tasked by FDR with going into Germany to rescue artistic masterpieces from Nazi thieves and returning them to their rightful owners. It would be an impossible mission: with the art trapped behind enemy lines, and with the German army under orders to destroy everything as the Reich fell, how could these guys – seven museum directors, curators, and art historians, all more familiar with Michelangelo than the M-1 – possibly hope to succeed? But as the Monuments Men, as they were called, found themselves in a race against time to avoid the destruction of 1000 years of culture, they would risk their lives to protect and defend mankind’s greatest achievements.

“As a film, it is riveting, suspenseful, harrowing and exciting, and somehow, it also manages to be something rare among war pictures-a big-scale entertainment.” – Rex Reed, New York Observer

“It’s a graceful, engaging film.” – David Edelstein, New York Magazine

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118 MIN

Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodelling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers. Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.

This is a FREE one night only screening sponsored by STAND and REACT TO FILM.

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115 MIN

NYMPHOMANIAC: VOLUME II picks up with the story of Joe’s adulthood, where her journey of self-discovery leads to darker complications.

“Newcomer [Stacy] Martin and old-hand [Charlotte] Gainsbourg anchor these two films with performances you can’t take your eyes off.” – Dave Calhoun, Time Out

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123 MIN

NYMPHOMANIAC: VOLUME I is the story of Joe (Charlotte Gainsbourg), a self-diagnosed nymphomaniac who is discovered badly beaten in an alley by an older bachelor, Seligman (Stellan Skarsgård), who takes her into his home. As he tends to her wounds, she recounts the erotic story of her adolescence and young-adulthood (portrayed in flashback by newcomer Stacy Martin).

“A ferociously entertaining experience in which one finds von Trier at the peak of his craft, linking together ideas about female sexuality, fly-fishing and artistic creation with equal amounts of playfulness and intellectual rigor.” – Scott Foundas, Variety

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118 MIN

STALINGRAD is an epic look at the battle that turned the tide of World War II. A band of determined Russian soldiers fight to hold a strategic building in their devastated city against a ruthless German army, and in the process become deeply connected to two Russian women who have been living there.

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131 MIN

A sharply crafted family thriller, CHILD’S POSE pivots on a riveting performance by Gheorghiu (4 MONTHS, 3 WEEKS AND 2 DAYS, THE DEATH OF MR. LAZARESCU, BEYOND THE HILLS) as a steely, upper-class Bucharest architect determined to keep her 30-something deadbeat son out of jail after a deadly car crash. How far will she go to convince the police, eyewitnesses and even the victim’s family that her son was not recklessly speeding? A spellbinding drama of social commentary and psychological realism, this caustic look into the corrupt heart of the Eastern European bourgeoisie twists into a brilliantly ambiguous study of obsessive motherly love. It marks the third feature directed by Calin Peter Netzer and yet another impressive, witty screenplay by Razvan Radulescu, who co-wrote Cristi Puiu’s THE DEATH OF MR. LAZARESCU and STUFF AND DOUGH, as well as TUESDAY, AFTER CHRISTMAS, THE PAPER WILL BE BLUE and other landmarks of the Romanian New Wave.

“Child’s Pose” sounds like something simple and easy, but don’t be fooled.”-Keith Turan, Los Angeles Times

Sponsored by Arts for Ohio, Film Division, Center for Entrepreneurship and Create Space

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112 MIN

Academy Award Nominee Jake Gyllenhaal reteams with his PRISONERS director, Academy Award Nominee Denis Villeneuve, in this sexy and hypnotically surreal psychological thriller that breathes new life into the doppleganger tradition. Adam Bell (Gyllenhaal) is a glum, disheveled history professor, who seems disinterested even in his beautiful girlfriend, Mary (Laurent). Watching a movie on the recommendation of a colleague, Adam spots his double, a bit-part actor named Anthony Clair, and decides to track him down. The identical men meet and their lives become bizarrely and irrevocably intertwined. Gyllenhaal is transfixing as both Adam and Anthony, provoking empathy as well as disapproval while embodying two distinct personas. With masterfully controlled attention to detail, Villeneuve takes us on an enigmatic and gripping journey through a world that is both familiar and strange – and hard to shake off long after its final, unnerving image. ENEMY, adapted from Nobel Prize-winning author José Saramago’s 2004 novel The Double, is about the power of the subconscious. In the end, only one man can survive.

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90 MIN