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Put in charge of his young son, Ali leaves Belgium for Antibes to live with his sister and her husband as a family. Ali’s bond with Stephanie (Academy Award Winner, Marion Cotillard), a killer whale trainer, grows deeper after Stephanie suffers a horrible accident.

“One of the year’s best films precisely because it can’t be boiled down to a message or synopsis. It’s an exercise in style that risks trashiness in search of transcendence, and it’s a sizzling celebration of the power of music, the power of images, and the electric, destructive power of the human body.”–Andrew O’ Hehir, Salon.com

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120 MIN

Based on the best-selling novel by Yann Martel, is a magical adventure story centering on Pi Patel, the precocious son of a zookeeper. Dwellers in Pondicherry, India, the family decides to move to Canada, hitching a ride on a huge freighter. After a shipwreck, Pi is found adrift in the Pacific Ocean on a 26-foot lifeboat with a zebra, a hyena, an orangutan and a 450-pound Bengal tiger named Richard Parker, all fighting for survival.

“Life of Pi” both draws the audience in and encourages it to settle back, the better to enjoy its virtually nonstop display of daring, wonder and cinematic virtuosity.”-Ann Hornaday, Washington Post
“An adventure yarn that is gloriously old-fashioned – and often just glorious.”-Bob Mondello, NPR

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127 MIN

Hitchcock is a love story about one of the most influential filmmakers of the last century, Alfred Hitchcock and his wife and partner Alma Reville. The film takes place during the making of Hitchcock’s seminal movie Psycho.

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98 MIN

Inspired by a true story and touching on legal and social issues that are more relevant now than ever, ANY DAY NOW tells a story of love, acceptance, and creating your own family. In the late 1970s, when Marco (Isaac Leyva), a teenager with down syndrome who’s been abandoned by his mother, is taken in by committed couple Rudy (Alan Cumming) and Paul (Garret Dillahunt), he finds in them the family he’s never had. However, when their unconventional living arrangement is discovered by the authorities, Rudy and Paul must fight a biased legal system to adopt the child they have come to love as their own.

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97 MIN

Theatrical producer Max Bialystock (Zero Mostel) was once the toast of Broadway. Now he lives in his seedy office, cadging cash contributions from wealthy old ladies in exchange for sexual favors. Even worse, he’s reduced to wearing a cardboard belt. Max’s new accountant, Leo Bloom (Gene Wilder), the soul of honesty, suggests that Max produce a hit to try to recoup his losses, but Max knows that it’s too late for that. Offhandedly, Leo muses that, if Max found investors for a flop, he could legally keep all the extra money. Suddenly, Max’s eyes light up — and in that moment, Leo Bloom is gloriously corruptible. Together, Max and Leo conspire to select the worst play, the worst playwright, the worst director, and the worst actor to collaborate on their guaranteed flop. That play is Springtime for Hitler, “a delightful romp…with Adolf Hitler and Eva Braun.” At the end of several weeks, Max has sold 25,000 percent of the show; and, as a finishing touch, Max bribes the opening-night critics for a favorable review, knowing full well that such a gesture is the kiss of death. The curtains part, and Springtime for Hitler opens with perhaps the most tasteless production number in the history of films.

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88 MIN

Largely improvised by director Rob Reiner and his cast, This Is Spinal Tap looks and sounds like a “real” documentary, with Michael McKean, Harry Shearer, and Christopher Guest as David St. Hubbins, Derek Smalls, and Nigel Tufnel, the key members of a going-nowhere British heavy metal band called Spinal Tap. The “group” started as an informal skiffle band, eventually maturing into an R&B act called the Thamesmen (their hit was “Gimme Some Money”).

After going through a psychedelic period with “Listen to the Flower People,” the band mutated into Spinal Tap, a hard rock outfit responsible for such albums as “Intravenous DeMilo,” “The Sun Never Sweats,” and “Bent for the Rent.” This Is Spinal Tap finds them in the midst of their first American tour in years as they support their new LP Smell the Glove, with filmmaker Marty DiBergi (Rob Reiner), who specializes in TV commercials, on hand to document the occasion.

Just about anything that can go wrong does: shows get canceled, stage props go wrong, wireless guitar pickups start broadcasting air-traffic reports, no one shows up for in-store appearances, David’s girlfriend tries to take over the band, they wind up billed second to a puppet show at an amusement park, and the group teeters on the verge of breakup. After the film’s initial release, McKean, Guest, and Shearer did a short club tour as Spinal Tap; the “band” reunited in 1992 for a new album, Break Like the Wind, followed by a full-fledged tour and TV special, The Return of Spinal Tap.

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82 MIN

Arbitrage, the feature directorial debut of writer Nicholas Jarecki, is a taut and alluring suspense thriller about love, loyalty, and high finance. When we first meet New York hedge-fund magnate Robert Miller (Richard Gere) on the eve of his 60th birthday, he appears the very portrait of success in American business and family life. But behind the gilded walls of his mansion, Miller is in over his head, desperately trying to complete the sale of his trading empire to a major bank before the depths of his fraud are revealed. Struggling to conceal his duplicity from loyal wife Ellen (Susan Sarandon) and brilliant daughter and heir-apparent Brooke (Brit Marling), Miller’s also balancing an affair with French art-dealer Julie Côte (Laetitia Casta). Just as he’s about to unload his troubled empire, an unexpected bloody error forces him to juggle family, business, and crime with the aid of Jimmy Grant (Nate Parker), a face from Miller’s past. One wrong turn ignites the suspicions of NYPD Detective Michael Bryer (Tim Roth), who will stop at nothing in his pursuits.  Running on borrowed time, Miller is forced to confront the limits of even his own moral duplicity. Will he make it out before the bubble bursts?

*The 7:20 screening of Arbitrage will be canceled on Friday, November 2nd*

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107 MIN

Ai Weiwei is China’s most famous international artist, and its most outspoken domestic critic. Against a backdrop of strict censorship and an unresponsive legal system, Ai expresses himself and organizes people through art and social media. In response, Chinese authorities have shut down his blog, beat him up, bulldozed his newly built studio, and held him in secret detention.

AI WEIWEI: NEVER SORRY is the inside story of a dissident for the digital age who inspires global audiences and blurs the boundaries of art and politics. First-time director Alison Klayman gained unprecedented access to Ai while working as a journalist in China. Her detailed portrait provides a nuanced exploration of contemporary China and one of its most compelling public figures.

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91 MIN