DENISE HO: BECOMING THE SONG: Last Day Thursday, September 10th

Watch Trailer Director: Sue Williams

This film is part of our Virtual Cinema Screening Initiative. When you rent DENISE HO: BECOMING THE SONG you are not only supporting independent film, but also supporting the Athena Cinema and our mission.

Click here to purchase your ticket to stream DENISE HO: BECOMING THE SONG.

 

About the film

Denise Ho: Becoming the Song profiles the openly gay Hong Kong singer and human rights activist Denise Ho. Drawing on unprecedented, years-long access, the film explores her remarkable journey from commercial Cantopop superstar to outspoken political activist, an artist who has put her life and career on the line to support the determined struggle of Hong Kong citizens to maintain their identity and freedom.

 

How to stream

For $12, you will get access to watch on your computer, phone, or tablet, or cast to your Google Chromecast or Smart TV. You can also download the Kino Now app for Roku or Apple TV (requires tvOS 9.0 or later) and watch the film there.

You will have to register for a free KinoNow account if you don’t already have one.

After you’ve entered your payment information, your rental period will start immediately and last for ten days.

 


 

If you are experiencing any technical difficulties with your rental, help is available to you directly from the distributor hosting your film:

While we encourage anyone having trouble to utilize these resources for quick, detailed resolutions for common issues, the Athena team is interested in hearing about your experience and will do our best to provide assistance.

Thank you for your support.

Share this Film

Click on Showtimes to Get Tickets Online
Running Time: 83 min83 MIN
This Film is Wheelchair Accessible

I went into the film knowing nothing about the Cantopop star, and came away from it as an instant fan rejuvenated by my connection to every soul throughout the world currently fighting to preserve human rights against the rising tide of totalitarianism.

Matt Fagerholm
RogerEbert.com