MILES AHEAD is not just about the music. It’s about what we all face at one time or another in our lives; questions about who we really are, what we have to say and how will we say it. How will we ultimately be defined and who gets to say so?

“…arguably the best performance of his [Cheadle’s] decades-long career.” – Kenneth Turan, Los Angeles Times

“Cheadle…absolutely inhabits the trumpeter. The heavy-lidded eyes, the long papery fingers, the tobacco-scoured voice — everything about him is authentic.” – Stephen Whitty, New York Daily News

*CaptiView® Closed Caption & Audio Description support is available for this film. All showings on Mondays will feature Open Captions.*

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100 MIN

A love story inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda’s marriage and work evolve as they navigate Lili’s groundbreaking journey as a transgender pioneer.

“Regardless of how you feel about the subject matter, The Danish Girl is an overwhelming act of heroism for Eddie Redmayne.” -Rex Reed, New York Observer

“Destined to be the year’s most talked-about arthouse phenomenon.” -Peter Debruge, Variety

*Visual impairment devices available upon request.*

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119 MIN

During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.

“A film that is so old-fashioned and comforting that, for much of the time, watching it feels like cuddling up under a soft good-movie blanket.” -Billy Goodykoontz, Arizona Republic

“Spielberg’s best since ‘Saving Private Ryan’ stars a flawless Tom Hanks in an engrossing old-school thriller.” -Lou Lumenick, New York Post

*Closed caption, hearing impairment, & visual impairment devices are available for this film.*

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141 MIN

This film is not a movie about a bank robbery. It is a bank robbery. “Victoria” was shot in one single take. Two hours and eighteen minutes. No cuts, no CGI, no cheap tricks, and no expensive ones, either. Just one shot. Victoria, a young woman from Madrid, meets four local Berliners outside a nightclub. Sonne and his friends promise to show her a good time and the real side of the city. But these lads have gotten themselves into hot water: they owe someone a dangerous favor that requires repaying that evening. As Victoria’s flirtation with Sonne deepens into something more, he convinces her to come along for the ride. And later, when things become more ominous and possibly lethally dangerous for Sonne, she insists on coming along. As the night takes on an ever more menacing character, what started out as a good time, quickly spirals out of control. As dawn approaches, Victoria and Sonne address the inevitable: it’s all or nothing and they abandon themselves to a heart-stopping race into the depths of hell.

“This terrifying, seductive and adrenaline-fueled movie has found a new form of freedom for cinema.”-Andrew O’Hehir, Salon.com

“With no cutaways, the film’s story and the momentum of the unlikely robbers seems as unstoppable as the camera. The characters are confused, adrenalinized and breathless, as are you.” -Brad Wheeler, Globe and Mail

“A mad, handheld feat of propulsive movie bravado.”-Lisa Schwarzbaum, TIME Magazine

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138 MIN

Rating: Unrated

The film centers on a Brooklyn couple, Freddy and his boyfriend Mo, who are trying to have a baby with the help of their best friend, Polly. The film follows the trio as they navigate the idea of creating life while confronted by growing harassment from a menacing local known as ‘The Bishop.’ As things take a dark turn, their joyous pursuit of parenthood is suddenly clouded.

“Mr. Silva’s accomplishment is not just in pulling off a jarring plot twist, but in handling a change of tone that turns the movie — and the audience’s assumptions about it — upside down.” -A.O. Scott, New York Times

“By shattering genre conventions, Silva subverts traditional perspectives on modern adulthood and finds no easy answers in the process.” -An Banh, indieWIRE

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100 MIN

This drama tells the extraordinary story of Jack, a spirited 5 year-old who is looked after by his loving and devoted Ma. Like any good mother, Ma dedicates herself to keeping Jack happy and safe, nurturing him with warmth and love and doing typical things like playing games and telling stories. However, they are trapped in a windowless, 10-by-10-foot space, which Ma has euphemistically named “Room.” As Jack’s curiosity about their situation grows, and Ma’s resilience reaches its breaking point, they enact a risky plan to escape, ultimately bringing them face-to-face with what may turn out to be the scariest thing yet: the real world.

“See it you must for the Oscar-caliber Larson and young Tremblay, whose remarkable mother-and-child bond is nothing sort of astonishing to watch.” -Lou Lumenick, New York Post

“A24 might just have the call-your-mom-sobbing-afterward movie of 2015 on its hands.” -Justin Chang, Variety

“To its immense credit, both the storyline and tone set by Room is the farthest thing away from being a mere exploitation film… Yet this is clearly a film that aims for more, and it’s all the more remarkable that it manages to achieve its lofty goals.” -Jason Gorber, Twitch Film

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118 MIN

In 1947, Dalton Trumbo (Bryan Cranston) was Hollywood’s top screenwriter until he and other artists were jailed and blacklisted for their political beliefs. TRUMBO (directed by Jay Roach) recounts how Dalton used words and wit to win two Academy Awards and expose the absurdity and injustice of the blacklist, which entangled everyone from gossip columnist Hedda Hopper (Helen Mirren) to John Wayne, Kirk Douglas and Otto Preminger.

“Bryan Cranston brings the complex personality of Trumbo to life with substance and humor.” – Rex Reed, New York Observer

“You don’t have to know a thing about Trumbo, Hollywood or communism to enjoy watching Trumbo.” – Sandy Cohen, Associated Press

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124 MIN