Libby Day (Charlize Theron) was only seven years old when her mother and two sisters were brutally murdered in their rural Kansas farmhouse. In court, the traumatized child pointed the finger at her brother, Ben (Tye Sheridan), and her testimony put the troubled 16-year-old in prison for life. Twenty-five years later, a broke and desperate Libby has run through donations from a sympathetic public and royalties from her sensational autobiography, without ever moving past the events of that night. When Libby accepts a fee to appear at a gathering of true-crime aficionados led by Lyle Wirth (Nicholas Hoult), she is shocked to learn most of them believe Ben is innocent and the real killer is still at large. In need of money, she reluctantly agrees to help them reexamine the crime by revisiting the worst moments of her life. But as Libby and Lyle dig deeper into the circumstances surrounding the murders, her recollections start to unravel and she is forced to question exactly what she saw—or didn’t see. As long-buried memories resurface, Libby begins to confront the wrenching truths that led up to that horrific night.

“As heroines go, it’s refreshing to get one as complex as this: When psychologically scarred female characters do turn up in thrillers, they’re usually little more than shivering victims who set a group of male cops in motion, but here, Libby does her own detective work, while Hendricks lends star power to the flashback scenes.” -Peter Debruge, Variety

“…Theron offers up an earnest and downbeat turn that says a lot with little dialogue” -Jordan Mintzer, The Hollywood Reporter

“…Chloe Grace Moretz gives yet another pitch-perfect performance.” -Lisa Nesselson, Screen International

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113 MIN

When a burned-out, brilliant professor – one who believes in lessons from life rather than textbooks – takes a job at a small college, everyone there is abuzz. He becomes involved with a teacher as well as a precocious student, but it takes a dramatic, existential act to turn his life around and make him see the world through a much rosier and more positive perspective.

“Allen serves the comedy black and stinging hot.” -Peter Travers, Rolling Stone

“…a darkly funny, intellectually rigorous campus comedy.” -Scott Foundas, Variety

“Woody Allen is in fine vintage form in Irrational Man, a slinky, jazz-infused existential teaser in which various themes from some of the veteran filmmaker’s most memorable work dovetail into a darkly humorous quasi-thriller explored with a deft lightness of touch.” -David Rooney, The Hollywood Reporter

*Visual Impairment and Close Caption devices are available for this film.

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96 MIN

THE END OF THE TOUR tells the story of the five-day interview between Rolling Stone reporter (and novelist) David Lipsky (Jesse Eisenberg) and acclaimed novelist David Foster Wallace (Jason Segel), which took place right after the 1996 publication of Wallace’s groundbreaking epic novel, Infinite Jest. As the days go on, a tenuous yet intense relationship seems to develop between journalist and subject. The two men bob and weave around each other, sharing laughs and also possibly revealing hidden frailties – but it’s never clear how truthful they are being with each other. Ironically, the interview was never published, and five days of audio tapes were packed away in Lipsky’s closet. The two men did not meet again. The film is based on Lipsky’s critically acclaimed memoir about this unforgettable encounter, written following Wallace’s 2008 suicide.

“This is no conventional biodrama about the tortured artist, but very much the film that lovers of Wallace’s dazzlingly perspicacious fiction and essays would want.” -David Rooney, Hollywood Reporter

“The End of the Tour may be a niche movie but for those willing to tunnel in, it’s a thing of beauty.” -Stephen Rebello, Playboy

“The script is so full of acute observations that I found myself scribbling down the whole movie as I was watching.” -Kyle Smith, New York Post

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106 MIN

Alex (Adam Scott), Emily (Taylor Schilling), and their son, RJ, have recently moved to Los Angeles’s Eastside from Seattle. Feeling lost in a new city, they are desperate to find their first new friends. After a chance meeting with Kurt (Jason Schwartzman) at the neighborhood park, they gladly agree to join family pizza night at his home. But as it gets later and the kids go to bed, the family “playdate” becomes increasingly more revealing as the couples begin to open up.

“An indecently hot and hilarious sex comedy with quartet of playfully scrappy actors who couldn’t be better suited to their roles or more eager to rouse our prurient interest.” -Peter Travers, Rolling Stone

“[An] unpredictable indie comedy — sort of a ‘Who’s Afraid of Virginia Kink?'” -J.R. Jones, Chicago Reader

“The pleasure of the movie lies in the way it both rewards and subverts expectations, delivering on the risqué possibilities of its premise while also coming up with something smarter and a little deeper than a log line might suggest.” -A.A. Dowd, AV Club

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79 MIN