Iris pairs legendary 87-year-old documentarian Albert Maysles with Iris Apfel, the quick-witted, flamboyantly dressed 93-year-old style maven who has had an outsized presence on the New York fashion scene for decades. More than a fashion film, the documentary is a story about creativity and how a soaring free spirit continues to inspire. IRIS portrays a singular woman whose enthusiasm for fashion, art and people are life’s sustenance and reminds us that dressing, and indeed life, is nothing but an experiment. Despite the abundance of glamour in her current life, she continues to embrace the values and work ethic established during a middle-class Queens upbringing during the Great Depression.

“Intimate, knowing portrait of a fashion icon who knows exactly who and what she is, and is often surrounded by people who don’t.” – John Anderson, Newsday

“There are few better ways right now to spend 80 movie minutes than to see Iris, a delightful eye-opener about life, love, statement eyeglasses, bracelets the size of tricycle tires and the art of making the grandest of entrances.” – Manohla Dargis, New York Times

“The chief virtue of ‘Iris’ is its amiability – it’s a delight to spend time in Apfel’s company, and thanks to Albert Maysles, we can.” – Walter V. Addiego, San Francisco Chronicle

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83 MIN

When young Lili is forced to give up her beloved dog Hagen, because it’s mixed-breed heritage is deemed unfit by The State, she and the dog begin a dangerous journey back towards each other. At the same time, all the unwanted, unloved and so-called unfit dogs rise up under a new leader, Hagen, the one-time housepet who has learned all too well from his journey through the streets and animal control centers.

“The hand that feeds – and also brutalizes – is righteously bitten in ‘White God,’ a Hungarian revenge fantasy that’s like nothing you’ve seen on screen before.” – Manohla Dargis, New York Times

“The whole production speaks well for the power of film; it’s a serious stunner.” – Joe Morgenstern, Wall Street Journal

“What it all means is open to interpretation. Read it as a parable or as a horror movie. Read it as the story of love between a girl and her dog. Read it however you want. No matter what your take, you won’t be disappointed.” -Billy Goodykoontz, Arizona Republic

“It all pays off with an astounding, extended climax that is as rousing and exciting as it is frightening – one of the most surreal experiences I’ve ever had watching a movie.” – Rene Rodriguez, Miami Herald

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121 MIN

Frédéric Tcheng’s solo directorial debut brings the viewer inside the storied world of the Christian Dior fashion house with a privileged, behind-the-scenes look at the creation of Raf Simons’ first haute couture collection as its new artistic director-a true labor of love created by a dedicated group of collaborators. Melding the everyday, pressure-filled components of fashion with mysterious echoes from the iconic brand’s past, the film is also a colorful homage to the seamstresses who serve Simons’ vision.

“Fascinating, suspenseful, illuminating, and ultimately moving.” – Peter Keough, Boston Globe

“From creating photo files rather than sketching dresses, to fitting them on lithe human pipe cleaners who march them across the catwalk, the film is a serious look at a business containing surprising amounts of tension.” – Colin Covert, Minneapolis Star Tribune

“For all the seductive imagery of billowing apparel and impossibly angled high heels, Tcheng never loses sight of the people overseeing every stitch.” – Keith Uhlich, AV Club

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90 MIN

Inequality, injustice and the demands of the world we live in cause stress and depression for many people. Some of them, however, explode. This is a movie about those people. Vulnerable in the face of a reality that shifts and suddenly turns unpredictable, the characters of Wild Tales cross the thin line that divides civilization and barbarism. A lover’s betrayal, a return to the repressed past and the violence woven into everyday encounters drive the characters to madness as they cede to the undeniable pleasure of losing control.

“Argentina’s nominee for the foreign-film Oscar is a farce about revenge that is feral, ferocious and gut-bustingly funny. You’ll laugh till it hurts.” -Peter Travers, Rolling Stone

“A wickedly delightful compendium of six standalone shorts united by a theme of vengeance — the kind that explodes in spectacular bursts after a put-upon soul is screwed over too many times.” -Jay Weissberg, Variety

“Entertaining, over-the-top and more than a little anxiety-inducing.” -John Anderson, Newsday

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122 MIN

Howard tries to sell his inherited land to start a new life somewhere else and leave his past behind, but as soon as he puts the house on the market, uncanny things begin to occur and a mysterious ghost collector presents himself as the only one that can help him.

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20 MIN

Caleb Smith (Domhnall Gleeson), a programmer at an internet-search giant, wins a competition to spend a week at the private mountain estate of the company’s brilliant and reclusive CEO, Nathan Bateman (Oscar Isaac). Upon his arrival, Caleb learns that Nathan has chosen him to be the human component in a Turing Test—charging him with evaluating the capabilities, and ultimately the consciousness, of Nathan’s latest experiment in artificial intelligence. That experiment is Ava (Alicia Vikander), a breathtaking A.I. whose emotional intelligence proves more sophisticated, seductive––and more deceptive––than the two men could have imagined.

“Shrewdly imagined and persuasively made, ‘Ex Machina’ is a spooky piece of speculative fiction that’s completely plausible, capable of both thinking big thoughts and providing pulp thrills.” – Kenneth Turan, Los Angeles Times

“I know, I know. You’ve seen all this A.I. stuff before. But never like this. Garland is hot for ethical shop talk on what defines humanity or lack of same.” – Peter Travers, Rolling Stone

“‘Ex Machina’ shows there’s still life left in tales of artificial intelligence.” – Joe Neumaier, New York Daily News

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108 MIN

For 19-year-old Jay (Maika Monroe), fall should be about school, boys and weekends out at the lake. But after a seemingly innocent sexual encounter, she finds herself plagued by strange visions and the inescapable sense that someone, or something, is following her. Faced with this burden, Jay and her teenage friends must find a way to escape the horrors that seem to be only a few steps behind.

“It Follows is the creepiest movie in years.” – Tom Long, Detroit News

“It Follows manages to bend the rules of fateful juvenile sexuality, and does so in a manner that genuinely tingles the spine and disturbs the mind.” – Peter Howell, Toronto Star

Closed captioning devices available.

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107 MIN